Sold the other PJ table and wish I never did - LOL. This is beyond my scope of understanding. I read somewhere that sibilance can be an issue with incorrect loading, etc. Is their something I'm missing regarding the wires.capacitance? I beleive I did a clean job soldering the connections with silver solder, but I am at my wits end with it. I have adjusted the VTA, tracking weight, and alignment 5 ways from sunday and cannot find the solution.
I simply cannot get rid of the over-cooked treble - some records are ok, but many just do not sound the same.
Made a new harness with 'mouse' cable, and most recently installed a new harness with silver wire, purchased off ebay. That's it Fear these dreaded problems no longer. You know how to avoid them by not recording them at all, and when they do sneak in, you know how to get rid of sibilance and plosives with equalization and volume automation. You now are the master of the plosive pops and sibilance hisses. I damaged the tiny tonearm wires, and tried to re-solder the connects without great success, due partly to the short leads in the Pro-Ject table. That's How to Get Rid of Sibilance & Plosives. Sounded fine in its stock form (2M Red), but my plan was to switch it out for the OM20. Moving along, I had an opportunity to purchase an Expression III with Speed-Box for a good price and grabbed it. As you can imagine, I was eager to improve the experience, and tried an acrylic platter, with great results. When it comes to DeEssing, if you are trying to get rid of a specific type of. Started with a Pro-Ject Debut II, with OM20 stylus and really loved it. Sibilance are harsh consonants that occupy a sensitive frequency range. New here but have been recently making vinyl playback, my newest passion.